Filmic mediums, poetry, performance, sculpture, and sound combine to render nuances of intimacy and unearth the hidden potentials of an interdependent sociality. The artworks seek to connect with nonhuman life, fantasies of the queer ecstatic, notions of care, as well as those of institutional critique. Indexicality is considered regarding presence, absence, and disappearance as something that affects minoritarian senses of being. The gaze of figurative representation is delicately examined, establishing close contact or distance with the viewer. Content is co-made, whether it be reframed from existing sources, in relation to a specific site, and/or live performance. There is an interest in collaboration as a means of blurring singular authorship. The works offer an intertextual view of embodiment, events, the photograph, and the written/spoken word through documented and ephemeral forms.