saldaña’s practice seeks to render nuances of intimacy and unearth the hidden potentials of an interdependent sociality, emphasizing: a co-existence with nonhuman life, fantasies of the queer ecstatic, notions of care, as well as institutional critique. Filmic mediums, poetry, performance, sculpture, and music combine through documented and ephemeral forms. There is a consideration for the indexical regarding presence, absence, and disappearance— as it relates to minoritarian senses of being and the biopolitics of the archive. The gaze of figurative representation is delicately considered, establishing either close contact or distance with the viewer. Content is co-made, whether it be reframed from existing archives, in relation to a specific site, and/or documenting live performance. There is an interest in collaboration as a means of blurring singular authorship. The works offer an intertextual view of embodiment, events, the photograph, and the written/spoken word.
jess saldaña holds a BA in Music Composition and Theatre from Columbia College in Chicago, an MA in Performance Studies (Philosophy) from NYU, and an MFA in Fine Art from Parsons with a certificate in Gender and Sexuality studies from The New School for Social Research. Their artistic work began in the public arts as a muralist on the Southside of Chicago. Transdisciplinary in practice, the work is informed by disability and race studies, psychoanalysis, queer theory, shadow feminism, and Marxist critique. Poetry, photographs, paintings, and drawings have been featured in the following; Hoochi Media (2018), Stonewall’s Legacy: Poetry Anthology (2019), Entropy Magazine (2019), among others.They have presented scholarly work at Black Portraiture[s] 2019 alongside Angela Davis, and have read poetry for The New Museum’s education programming. Photography from the series Trans-Landscapes—On the Edge of Entanglement was on view last January at CICA Museum in South Korea.